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Description
Optimistenters into dialogue with recent albums by other young stars disenchanted with success and the world that gave it to them:
Lorde,Clairo, and, of course,Eilish herself. Aesthetically, these records are united in their movement away from pop bombast and towards softer, slower sounds with less commercial traction. Finneas is on board, to some degreeabout a third of these songs are piano ballads; one is an instrumental interlude that does little besides demonstrate his proficiency. The OConnell siblings share a well-documented fondness for mid-century standards, and Finneas sings in a warm, searching baritoneoften double-tracked for maximum texturethat performs nicely in songs indebted to them.
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