Description
I Can’t Let Go is the new full-length debut from Suki Waterhouse, available on LP, CD and Digital.
Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where weve been and reveal where were going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but youll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, nineties-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. These compositions comprise her upcoming 2022 full-length debut album, I Cant Let Go [Sub Pop Records].
The album is called I Cant Let Go, because for years it felt like I was wearing heavy moments on my sleeve and it just didnt make sense to do so anymore. Theres so much that Ive never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, Ive been observing my life as an outsidereven when Ive been on the inside. Its like I was a visitor watching things happen.
Growing up in London, Suki gravitated towards musics magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple. Meanwhile, Oasis held a particularly special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut Brutally as what a Lana Del Rey deep cut mixed with Joni Mitchells Both Sides, Now would sound like. In addition to raves from Garage, Vice and Lemonade Magazine, DUJOR put it best, Suki Waterhouses music has swagger. Constantly consuming artists of all stripes, she listened to the likes of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. In late 2020, she finally dove into making what would become I Cant Let Go. Falling in love with Hiss Golden Messengers Terms of Surrender, she reached out to its producer Brad Cook [Bon Iver,War On Drugs, Snail Mail, Waxahatchee].
Ive been dreaming up this record for years, she recalls. The weeks I spent in North Carolina with Brad were by far the best of my life.
The first single Moves illuminates the nuances of her sound. Guitar echoes through soft piano and a veil of reverb. The momentum builds, and she warns, I might put some goddamn moves on you, babe I know you need it.
Moves is a song I first started writing one night on the couch, picking up the guitar and seeing what came out, she explains. It was a moment where I felt the urge to both sever a previous bond, while putting my faith back in trying a different path. I often think, what happens when you are struck by someone who changes the course of your entire life? The song speculates on that journey, one that moves beyond lust and physical longing, where you know that you now have something to give.
The companion single My Mind pairs breathy vocals with an airy riff paced like a tumbleweed as her angelic hum takes hold.
Next up is Devil I Know. A sparse beat trudges in tribal-style rhythm, while she leans into the cataclysmic chorus, Back in hell at least Im comfortable, need your body when my fires gone.
There is also Melrose Meltdown, which Suki describes as A shattering of illusion, undoing from a cage I’d been kept myself in where I’d thought was safe. Its a sweeter send off, but there is an anger there when I sing it.
I Cant Let Go culminates on Blessed. Her voice ebbs in and out of the cracks between lightly strummed guitar and delicate synths as she exhales, I could be something.
Blessed was right at the end, she goes on. Its a song about the delicacy of family, a reflection on the moments that tested the fabric of it, when supposed light contains shadows. Ultimately, youre cherishing the mistakes.
In the end, Suki not only catalogs her life up to this point in the album, but she also fulfills a lifelong ambition.
When Ive been stuck or feel out of touch with a sense of inner meaning and outer purpose, Ive found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored, she leaves off. So many times of change in my life have required return visitsespecially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. What is left and cant be thrown away is the self.





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