Michel Petrucciani – Both Worlds

Description

Both Worlds is clearly the testimony of the fruitful encounter between two worlds, between a composer and an arranger; the collaboration of two creative spaces that are dissimilar yet compatible. For the first time in his career, Michel Petrucciani entrusted his most accomplished compositions to another tailor of jazz and poet of made-to-measure, Bob Brookmeyer. The result is a magical undertaking, retaining that particularly distinctive two worlds character in the pianists work: a writing imbued with classics and standards, over one of the most modern rhythm sections.

Joy, melancholy, humour and moods, this recording displays a rich emotional palette and a few nods to Rodgers and Hart (Petite Louise), Return to Forever (35 seconds of music and more), Maurice Chevalier (On Top of the Roof) and Hollywood musicals (Chlo Meets Gershwin referring to A Foggy Day and Seven Brides for Seven Brothers by Johnny Mercer).

Within an abundant discography, Both Worlds innovates and profiles the pianists work in a new light. Also for the first time, Michel Petrucciani assembles a genuine group and builds a homogeneous formation where his presence and role are no longer perceived as dominant elements. While in many of his previous records the piano seemed to leap out of the rhythm section for an obvious highlighting, Both Worlds deliberately inserts Petrucciani within the group, and makes the pianist an integrated element of the whole, allowing him to be the leader without acting like one.

Another novelty: Michel Petrucciani uses the horns here as never before; they no longer intervene only as soloists but in a new context, as accompaniment and counterpoint.

This record could only have come to life because of the intense collaboration between composer and arranger and the unexpected production work of drummer Steve Gadd surelycontributed to its creation. Thanks to his experience in the mostdiverse contexts and to a solid friendship with MichelPetrucciani, he was able to provide knowledgeable suggestionsand, above all, appropriate structural ideas.

Tracklist

35 seconds of music and more
Brazilian Like
Training
Colors
Petite Louise
Chlo Meets Gershwin
Chimes
Guadeloupe
On Top of the Roof